We can bury the dream of a ‘hard copy’ of The Crucible or any other plays that are viewable via Digital Theatre. R, the friendly professional support lady from Digital Theatre, got back to me very promptly after my e-mail to her yesterday. Here is what she said:
Good Afternoon Esther,
You are most welcome! I’m glad to hear that you are feeling better. Our backlog certainly is dropping, so I’m relieved to say that we can once again give our customers the level of care and attention you deserve.
Unfortunately we cannot offer mp4 downloads at this time due to our agreements with the creative owners of the productions and the theatres. However, we would certainly like to offer offline downloads again in the future.
All the best,
I’m glad their backlog is dropping, which means that more fans are getting answers; that is a great thing! The “offline downloads in the future” are a bit of a sticky point, however, and I mentioned that to her in my reply. Other than that, this long-term ‘rental’ thing is the best we can hope for, for now. I sincerely hope our trust will not be betrayed in the future. Time will tell.
In the mean time, I am happy that I can still enjoy Richard Armitage in this…
And I still have the stage production of Much Ado About Nothing to enjoy as well…
Now, if only they made actual mp4 downloads or DVDs/BluRays available of these theatre productions, I would totally buy them in the future! For instance, I would love a copy of The National Theatre’s Jane Eyre play as well…
There really is a market for this, if only the theatres, producers and companies would work together and take into account that customers like options and freedom to choose how they want to view and acquire these plays! Of course, I get the need to keep control and to combat pirating, but once it’s out there, you won’t be able to stop that anyhow. Maybe it’s time for some new earning models (don’t know what kind yet) to assure that creative owners and theatres get the revenue they deserve while still giving the audience easier & affordable access to productions that they can actually really keep if they want to. I guess we are all pioneers in a digital world, trying to figure this stuff out.