Fictional crush challenge – day 2

10 days, 10 fictional crushes
Post an image of a fictional character who has been or still is your crush. No names or explanations needed. TV, movie, book, comic, cartoon characters are valid.

When I was 9 years old I had two abridged, youth version books of Charlotte Brontë’s Jane Eyre which I loved. The one had details in the story the other didn’t have so I used to read them both and I read them often. One of the abridged books had drawn illustrations and the other had pictures of the 1973 BBC TV mini series in it. I developed a crush on Mr. Rochester and studied those photos extensively, picturing the character of Rochester with this face. It would be at least another 25 years before I would finally actually see the 1973 adaptation.

I have seen many more Rochesters besides Michael Jayston since I first read the abridged book and later the original version.

Orson Welles, George C. Scott, Timothy Dalton, William Hurt, Ciaran Hinds, Toby Stephens, Michael Fassbender, Felix Hayes, Tim Delap. And hmmmm, as I type this the day before it gets posted and look over at the couch to Mr. Esther (who is sporting his ‘corona beard’) he gives me Mr Rochester vibes as well, i.e. the bearded version as portrayed by Hayes and Delap for the National Theatre.

Anyway, each of these Rochesters brought to life by actors had their pros and cons and I don’t have the patience to go into all of that now, it would take too long. Suffice it to say that my fascination with Mr. Rochester, warts and all, remains intact to this day.

#StayAtHome entertainment

All these weeks of staying at home and you’d think it would be boring, but it’s not really, not for me. Yes, I do miss the freedom of coming and going anywhere I please, seeing my family and friends for real, going out to cinemas and restaurants, travelling and experiencing new things. However, for all that I miss, I also have things I am grateful for: I’m with my wonderful husband and kids (seriously, I could never get sick of having them around), I still have work that pays me a regular salary, a roof over my head, a garden I can sit in when the sun shines, I have online and phone contacts with people outside and, as a bit of an introvert, I am also very well able to entertain myself.

I take walks with my husband but sometimes also by myself, with music playing in my headphones as I enjoy the scenery. The other day I took a lovely walk in a little green area about a 7 minute walk away from my house. I was listening to the Yentl soundtrack that I hadn’t listened to in a while. Papa is always an emotional song for me, connected in so many meaningful ways to my own papa…

Anyway, listening to beautiful, relaxing music like that while walking can really lift your spirits, especially when the views are so pretty with nature blooming now in the spring…

Not that many people walk there at the end of the afternoon/beginning of the evening when I tend to take my walks, so it’s a good keeping-your-distance route. I love to see the trees starting to bloom and flowers popping up.

And there is more to entertain me! There are re-reruns on Dutch TV of my absolute favourite show of the end 1980’s / beginning 1990’s, the Australian TV series The Flying Doctors. We’re in the doctor Geoff and nurse Kate heydays right now, so even though I have seen all the episodes and I own them, I also do tune in now and again to see how they’re getting on and where they are in the story. We’re getting close to the big Geoff and Kate rift in season 4 when Geoff’s brother comes to town; that was one of the most exciting times of the whole series, I love seeing those episodes.

There were 9 seasons of that show, the last two seasons or so weren’t as fun, but I wouldn’t mind seeing a special on how they’re doing now, 30 years on.

On Friday evening I enjoyed a broadcast of  a 2011 The Phantom of the Opera 25th anniversary performance on YouTube. By the time I post this, it will almost be going offline, but oh my goodness it was good (and worth a donation)! I didn’t mean to watch the whole thing but I got stuck anyway. Ramin Karimloo plays the Phantom with such feeling and intensity, I became a fan instantly. And Sierra Boggess as Christine is just amazing. I had never heard of them before and they have great chemistry together. Here a clip of them perfoming at the Brit Awards in 2012…

I also loved the celebration bit after the musical ended and, with just small gestures, again Ramin Karimloo made a great impression on me.

And then last night there was another #stayathome highlight for me. For the first time ever I did a three person video chat with two very good friends of mine in the US. We always chat a lot in writing, have done so for 18 years, but until this corona crisis when seemingly everyone has taken to video chatting, we had never thought to do a video chat amongst ourselves before. We’re usually busy and rarely online at the same time but with all of us staying at home now, we figured we should be able to arrange something. So, last night at 9 pm my time and 3 pm their time we finally got together for a video chat and ‘hung out’ for close to two hours, also seeing husbands and a few kids. It was wonderful! The internet and social media really can be so amazing.

Besides all this I have also been going down a Jean Simmons rabbit hole in recent weeks. I had been going through my Richard Chamberlain collection a little while back and saw bits and pieces of The Thorn Birds again where Jean Simmons plays Meggie’s mother, Fee. She is so good in that role!

It made me think of The Big Country with Gregory Peck again, in which she co-stars, and I re-watched that (yup, it’s good movie!). I have always loved her in the role of school teacher Julie Maragon, I always wished for her role to have been bigger.

Looking at her filmography I know I have seen her in a lot of things already over the years, most of the them ages ago, and I have always liked her. Besides the roles I just mentioned I remember her best in Great Expectations from 1946, Black Narcissus from 1947 (excellent movie!), even though those were small roles…

… and of course in Spartacus from 1960. I remember enjoying the film and story but I mostly remember loving Simmons as Varinia. I remember the tension in the Laurence Olivier scenes and the love in the Kirk Douglas scenes.

I have also seen The Robe (1953) with Richard Burton, Young Bess (1953) with her then-husband Stewart Granger and Désiree (1954) with Marlon Brando, all historical costume dramas. I confess to remembering little about them, although Young Bess and Désiree stick in my mind as movies I did like at the time.

I came across a movie called Until They Sail and, when I saw the trailer, remembered I had seen that too. I watched that one again and boy, I really liked it! It’s about four sisters in New Zealand during the Second World War and the relationships they have with Americans stationed there. I loved the understated, almost philosophical scenes between Jean Simmons and Paul Newman…

… and the conclusion between them is just everything. It’s not only about them, though, it’s about four sisters who are very different at handling the same situation. I really liked it, it’s going onto my fave Jean Simmons movies list.

Last night, after that two hour video chat (I’m a night owl), I watched Guys and Dolls from 1955 that Simmons also did with Marlon Brando. I’d never seen that before, apart from bits and pieces. Both are only OK singers but oh my, they have such great chemistry! I loved them together in this movie, like in this clip.

The movie was alright (it apparently also has Frank Sinatra) but really shone and came to life when those two appeared together on screen. It was fun!

Yeah, this Jean Simmons rabbit hole is going deep. I want to re-watch Désiree now to see if the chemistry with Brando was also there in that, and I want to see Young Bess and Spartcaus again. I also need to see Angel Face, a film noir movie with Robert Mitchum in which I think she plays a psychopath; it is said to be one of her absolute best roles.

jean simmon sangel face mitchum

Oh, and she did one with Cary Grant, Robert Mitchum and Deborah Kerr called The Grass is Greener which I also saw many years ago, need to look into that one again as well.

I’m sure there will be more as I dig on.  I’m loving my journey of Jean Simmons re-discovery.

I feel it is so important to be social and stay at home and yes, I do feel restricted during this corona crisis but I am also lucky that I have enough ways to entertain myself. Thank goodness for the world at our feet on the internet and for a world that is beautiful outside.

Jane Eyre at the National Theatre

This week the National Theatre production of Jane Eyre is free to stream on YouTube (here). Jane Eyre is one of my favourite books ever and so I always love seeing how others interpret and adapt the book. I saw the play live on stage two years after this production was filmed during a tour through England in 2017 but with a different cast. I saw it once alone during a matinee and a few days later dragged my husband and kids with me to see it as well. Re-reading what I wrote then, I still agree with my impressions then. There were some points of criticism but every Jane Eyre adaptation has its little gripes for me. Those gripes don’t stop me from finding great things in the adaptations and I found this to be one of the best I have seen yet.

Madeleine Worrall plays Jane Eyre, Felix Hayes plays Rochester. The leads didn’t seem quite right when I saw the first images (Worrall seemed a bit too old to play Jane and Hayes didn’t seem dark enough) but I forgot all that as the play progressed. In the adaptation I saw on tour 3 years ago, I felt the actors looked better for their parts (younger and darker) but in the end it’s all about the intensity and it was there in this version as well as in the one I saw on stage in 2017. What I also loved was that the cast was quite small and it meant that (apart from Worrall) each actor played several characters within the story. Each character is distinctive enough for it to not be confusing and I also loved how even the dog Pilot was acted out in this play, a nice bit of comic relief. Even the musicians on stage (another awesome feature) became part of the cast on occasion.

Here’s a trailer:

Warning: pic spam ahead and spoilers for the story as well should you not know it!

All elements of the story are there in this adaptation as they should be. The story is after all not only a love story, it is a story of growing up, emancipation, strength of character, dealing with pain and loss, striving for freedom and finding your place in the world. Jane’s childhood experiences very much shape the young woman she is to become, so it’s good to see a good deal of time spent on her childhood, at first with the Reed family. She is tenacious, strong willed with a deep sense of right and wrong, and will not be trampled on even though her aunt is uncaring and her cousin bullies her. She likes to escape into reading and in her lonely life her only friend is Bessie, the maid.

The second half of her childhood is spent at Lowood institution. There is so much movement and choreography in this play and I love how they used movement to convey travel.

Lowood is a place of despair but Jane finds a little light for a little while in her friend Helen, whom she sadly also loses.

When she grows up she becomes a teacher at Lowood but yearns to be free. The cast not only play the pupils, they also on occasion play the voices in Jane’s head. I loved that as it felt true to the book where you constantly read all that Jane is thinking.

She advertises and comes to work at Thornfield Hall where she becomes a governess to Adele, the charge of a Mr. Rochester. Just pic spamming here now as she comes to know Adele and Mr Rochester and Mrs Fairfax the housekeeper…

She saves Mr Rochtester from a fire…

… and becomes jealous of Miss Ingram…

… and helps Rochester in a time of need which he thanks her for…

She may look grey and little but she shows a strength of character and steadiness that completely appeals to the gruff and wounded Rochester. She is his saviour although she does not know that yet. She leaves Thornfield for a bit (during the haggling for money part, which I always love, I wished for the “you shall walk up the pyramids of Egypt!” line but alas it wasn’t in there)…

She then returns but refuses to stay with Rochester other than on her own terms. She wants to be free.

Rochester finally confesses his feelings…

… and they almost marry despite Mr Rochester’s secret which he tries to keep hidden until after he has secured Jane.

Alas, the wedding is interrupted and that is always an extremely heartbreaking part of the story. After all of this hardship and strife the little happiness that was finally attained is cruelly lost again. Yes, the happiness was built on a lie and so had no chance of really thriving but it’s still sad. Jane stays strong and principled and Rochester must deal with the reality of his secret. Jane heartbreakingly leaves him, it is the only way.

After some more hardship she finds a new life with the Rivers family where she is content enough. However, she will not compromise her own feelings when St. John asks her to marry him, she will remain strong and true to herself no matter how difficult it is… Her tenaciousness of spirit, built up from her youth, remains intact.

Then on the wind from far away she hears Rochester call out for her…

Jane Eyre NT 2015 (220)

… and she returns to Thornfield Hall where she hears of the fire that burnt the place down and the death of the mysterious inhabitant there. The “Crazy” song that is sung here by the amazing Melanie Marshall (she also played this part in the 2017 tour!) and the way that part of the story is told, just gives me goosebumps.

The reunion of Jane and Rochester is of course beautiful…

… but the one thing I always miss in these adaptations is how Jane saves Rochester yet again at the end of the book, pulling him out of his dispair and feelings of worthlessness. The reunion part of the chapter is always there but I miss the rest of the chapter as well where she basically plays him so that he will come out of his self-pity. Oh well, there is no perfect adaptation out there although I have to say, this one does come close for me!

I also loved the use of music in this adaptation, from the musicians playing on stage to the role of singer Melanie Marshall as Bertha and as sometime narrator. The music is very evocative.

Let me end with a little video about how the whole play was devised, including an interview with Worrall and Hayes.

What I love about the Jane Eyre story is how Jane is always true to herself, believes she is worth something, sticks to what she feels is right and will not compromise on striving for her freedom and for what makes her happy. I love that she seems grey and hidden and Mr Rochester is the first one to finally see who she is in her glory. I love that, through finally being seen and finding an equal sparring partner, she starts to soar. Rochester helps her bloom and in turn she saves Rochester from his darkness. This adaptation brings Jane and Rochester to life though simple-looking staging, inventive choreography, wonderful music and great performances. I conveyed my enthusiasm in the live chat during the premiere live-stream this last Thursday on YouTube and even received a chat reply.

This play is a keeper (and very worth donating to should you feel so inclined).

The arts can lift your spirits

I’m just realizing that right now I am blogging daily, I am on a seven-day-streak today! I am surprised at myself but don’t get used to it, I fully expect that any day now I’ll be going down some rabbit hole again and will be disappearing off the face of the blogging-earth again for days on end… Oh, and a little fun fact: yesterday’s post was number 666 on this blog. 😈666Anyway, those were just little points of order, now on to what I actually came on here to blog about.

All this Corona news can be overwhelming: the rapid rise in cases, the people dying, hospitals that can’t cope with the amount of sick people needing care and then there’s all the information thrown out there to keep track of. We have limited our news intake to 2-3 times a day instead of 24/7 because we also need to keep our sanity and we don’t believe any “tips” on Twitter or Instagram – if I want to know something I go to our National Institute for Public Health for information. We stay informed, we do what we can and then we try to keep sane as well by doing nice things.

In addition to the pressures of corona, I have also been working a lot, it has become almost stressful. So, I’m taking a little breather today, just doing the absolutely necessary stuff, blogging in between, and taking the afternoon off. Luckily there are lovely things happening to keep spirits up. Yesterday, for instance, The National Theatre in the UK announced they will be streaming plays on YouTube. It’s free but I will be making a donation because the arts really are so important and I’m so pleased that they’re doing this. I am especially excited that from April 9th they’ll be showing Jane Eyre. I saw that play a few years ago in Leeds and loved it. It will be a different cast from when I saw it but I’m already excited to watch it again!

Jane Eyre (12a)

Patrick Stewart is reading a Shakespeare sonnet a day over on his Twitter account. The one he read on day two was especially heartwarming, maybe because of the twinkling in his eyes. He’s up to 5 or 6 now as I type this, scroll through his account for a look-see.

Sam Neill’s Twitter is heartwarming during the best of times and even more so now. I saw this today and it made me smile from ear to ear. Not just the delivery, I love the gentleness in his face too.

And it looks like my plans for the weekend are taking shape as well. Drunk Austen is doing a Jane Austen con online this weekend. There are some great events scheduled, I think I just may pop in! 🙂

etxnfpfwsaeftap

And to end it all on a smile, here’s Lin-Manuel Miranda doing a David Bowie from Labyrinth bit.

This makes me think that I’d love to see Hamilton on live streaming theatre somewhere, I always hear it’s amazing.

Fangirling Armitage at the theatre

Finally, I’m getting around to actually posting a little more about seeing Uncle Vanya in London last week. I’ve been writing this for the past 5 days or so, just never get around to actually finishing it, it’s just been too busy. But here it now finally is. This also ties in nicely with Herba’s and Pö’s ‘Mach was’ challenge as this time it’s all about doing something with theatre!

A few months ago in an interview Richard Armitage said: “I understand that people aren’t here to see their favourite actor doing something” but I am here to inform the world that the man is thoroughly mistaken. I specifically went to London to actually see him do something (yes, “mach was”!), namely to see him perform in Uncle Vanya at the Harold Pinter Theatre. Twice. I had originally bought tickets for only one performance but then a few weeks ago decided to buy a second ticket for a second evening as well. I was planning on going with Suzy but alas she had to cancel last minute due to a shelter dog arriving into her care. Yes, she is that kind of woman: putting a shelter animal above Richard. Suzy rocks! Her ticket for Monday evening, February 24th, went to our sweet friend Hariclea, who lives and works in London.

As Hari had to work late that Monday evening, we agreed to meet up in a sandwich place called “Ole & Steen” right near the Harold Pinter Theatre, an ideal place to get something quick to eat before the play started. I walked by the theatre and checked out the billboards…

… before going into “Ole & Steen”. I walked in and immediately saw the face of an actor I recognized, although I couldn’t for the life of me remember from what show or movie. I didn’t remember his name but I’m pretty good with faces and I just knew it was… well… that guy. I bought myself a cup of tea and went upstairs to drink it, sitting at a table facing the door, so I could watch out for Hari. I gave in to temptation and attempted a picture of that actor from above (he was sitting right below me with company that had arrived just after I had). Later, on the underground, I recognized him on posters for Only Fools & Horses, which was playing in another nearby theatre. His name is Paul Whitehouse.

Then, just before Hari walked in, I saw Rosalind Eleazar walk in as well! I only knew her from publicity stills for Uncle Vanya but I just knew it was her.

20200224_183330

Anyway, Hari arrived and we ate some delicious toasties before making our way to the theatre. We bought a booklet and poster and then headed for our seats on row D, seats 19 & 20. That was the 4th row and so close to the stage.

The theatre felt intimate and beautiful…

… and when the curtain went up, there was a beautiful set with Richard Armitage in it, as Dr Astrov, just a few meters away from me!

2020-0117 Uncle Vanya 09

I could see his every move and every expression and honestly, was so fascinated, with my eyes drawing back to him every time, that I may have missed other nuances in other actor’s performances. Like others have said before me, I remember Chekhov plays as being boring and depressing (I only ever read The Cherry Orchard and Uncle Vanya back in high school and have completely forgotten since what they were about). I didn’t write down any notes after the play, so what I write here, I write from memory at least a week later.

The humour quickly popped up and kept on popping up throughout the play but I wouldn’t call it a funny play. It was tragic, really, especially at the end. I was fixated on Richard during that first viewing, but the stand out performance for me really was Toby Jones. I only know a few actors who can completely disappear into a role. James McAvoy is such an actor and so is Toby Jones. His is very empassioned and from up close you can even see him spit while he makes his empassioned speeches. His Olivier nomination is totally deserved…

Toby Jones UV Olivier nomination

I also very much enjoyed Ciaran Hinds (I would’ve liked to see more of him!) and Rosalind Eleazar (who was better during the second evening I watched this).

I had read some criticism of Aimee Lou Wood as Sonia, but (despite a slightly condescending tone) she had the most heart in this play and I think I could identify with her most.

2020-0117 Uncle Vanya 05

The doctor, no matter how handsome and mesmerzing, was quite cruel to her, I thought, by leading her on and then pushing her away. She didn’t have the power to break free from him and stand on her own and she is the definition of self-sacrifice (not in a good way). Yet I still did like her.

Anna Calder-Marshall as Nana is endearing too and she gets to tousle Richard’s hair and stroke his cheek every night!

2020-0117 Uncle Vanya 11

Rosalind Eleazar as Yelena even gets to kiss Richard every night in an almost cringe-worthy scene. The kiss is good but Astrov just pushes too much. She’s so bored with her life and too lazy to change anything about it. Dr Astrov doesn’t seem to have much respect for her and yet is attracted to her, because of her outward beauty. We felt there was some chemistry lacking between her and Astrov (he had more chemistry with Sonia, I thought) but that may have been due to the relationship between Astrov and Yelena; they just do not fit.

2020-0117 Uncle Vanya 04

The chemistry was very different with Vanya (Toby Jones). He too is obsessed with Yelena and those two really did seem to have a real connection and understanding, more than Yelena has with her own husband, the professor (Ciaran Hinds).

Yet Yelena is a spoiled brat choosing to live with the rich guy even though they don’t seem that suited for each other and Vanya is unable to escape his own bleak situation. That, really, is the whole theme of the play – everyone is stuck in a situation which is far from ideal and yet no one can break away. They have it in them to change if they really want to but they somehow just can’t and are stuck. This little scene was played out right before me while I sat in row D, it felt like I could almost touch the actors, I loved it.

2020-0117 Uncle Vanya 02

Dr. Astrov is also a very frustrating character, losing his will to help people, stuck in an impossible admiration for a woman not really that worthy and blind to someone who could be worthy. He is almost at his best when he is being passionate about the woods and yes, that drunken scene with Peter Wight really was very funny. As with every funny moment in this piece, however, there is always an underlying feeling of tragedy.

2020-0117 Uncle Vanya 07

At the end of the play, despite Sonia’s message of hope, a sense of uselessness remains – useless because everyone stays stuck and no one ever takes the power to make a change. There is hope for change but it doesn’t happen yet. I liked that this Uncle Vanya gave me a new view on the story and made me think that maybe Chekhov isn’t as boring as I remembered after all! The feeling that has stayed with me most since I saw it, is that this really was a quality staging of the play, I really enjoyed it, the performances were great, but it didn’t blow me away like The Crucible had at the time or even Jane Eyre.

There was a standing ovation (the following is not my picture but pretty much what the curtain call looked like)…

2020-0123 Uncle Vanya opening night stage 01

… and Hari and I made our way to that stage door where we waited for Richard and the other actors to appear. We were joined by Cindy, a very nice lady Hari had met in New York when she was there to see Love, Love, Love.

Hari offered to take some pictures as she didn’t have anything she wanted to have signed. I already shared those pictures here. Before even the first actor came out, we were told by the security guard that Richard would not be posing for selfies, that he would only be signing things. Ciaran was the first one out and when he said something he was so soft-spoken and gentle. He gave off a beautiful vibe and felt so different from his big presence on stage! I complimented him on his performance and he signed my poster. There was a little more said, but I can’t remember what, it did include an exchange of smiles.

Richard was out next, he swiftly walked to the end of the line and worked his way up, signing up a storm. I swear, that man is quick, there hardly is any time to exchange many comments. He too has a very different presence than his on stage presence. He seems almost huddled, ducking a bit with his baseball cap on, and seems slighter in stature than when you see him on stage and screen. It’s not the first time I have noticed that but it still surprises me every time I see him. He is smiley and grateful even though he does seem determined to get it over with as soon as possible. I thanked Richard for the performance, said I had enjoyed it, but by the time I had finished saying that he was already starting to sign the next person’s programme. He did turn back to me, looked me straight in the eye, smiled and thanked me, so that was a teeny, tiny heartstopping moment.

John Look back at me gif2

Here are a few pictures I hadn’t shared before. Just as Richard was finishing, Anna Calder-Marshall came out and started signing her autographs.

20200224_222231

20200224_222235

Richard was gone after what seemed like a flash, Anna Calder-Marshall took a little more time and was a little more chatty. Very sweet.

20200224_222237

While we were waiting I caught sight of the blue hair of fellow fan Sahra who wasn’t that far off from us and who had said on Twitter she’d be there.

Sahra Esther tweets

I went up to her, also met her husband, and we had lovely brief chat. I then needed to get back to Hari and Cindy again as more actors came out, so we lost sight of each other. It was a lovely brief encounter, though.

Toby Jones came and was happy to sign and pose for selfies as well. My selfie with him is in the other post, won’t share it again here as I do quite I hate how I looked there, but here’s another picture Hari took of Toby with my phone:

20200224_223126

He’s lovely and has such a jolly face. I think he took it all in with amusement and was pleased with all the kind words he received.

Rosalind Eleazar and Peter Wight also came by and they signed my poster too. The end result is the signatures covering each other on my poster as there weren’t too many lighter spots on the image where signatures could be put with dark pens. Note to self: next time also have a silver or white pen handy!

20200224_2338218457543179701720799.jpg

As Hari and I walked to Piccadilly Circus underground station we chatted more about the play. Hari was mentioning how we really liked Rosalind Eleazar but noted that she lacked some chemistry with Richard. Right at that very moment, next to the entrance to the underground, we actually walked by Rosalind Eleazar herself! Had she heard us? We weren’t exactly whispering and when we noticed we both smacked our hands over our mouths. We walked down the stairs and then burst out laughing. We hoped that if she had overheard us, she had hopefully also overheard the praise.

The second viewing of Uncle Vanya happened on Tuesday evening, the 25th. Before going to the theatre again, I met up with some new fans, people I only ‘knew’ online. Michele from The M Files blog and Rachel had booked a restaurant for us not far from the theatre. Squirrel, who comments on my blog, was also part of the party and after I arrived we were also joined by Armidreamer. All of them such lovely and generous women. Michele, Squirrel and Armidreamer even came bearing gifts! I’m such a bad person, I didn’t even think to do that… Thank you again, ladies!

After getting to know each other a little and chatting about Richard and eating we made our way to the theatre (minus Armidreamer, who was going to go on another night). My seat this time was up in the royal circle in the first row. Apparently it was a restricted view seat (due to a railing) but really, there was no restriction there that was bothersome at all.

20200225_191353

And look, down there you are Rachel and Michele, on your phones!

20200225_191732

I was glad I went to see the play for a second time. The first evening my focus had been on Richard so much that I felt I may have missed things. The second evening, with a more birdseye view, I was into the whole story and the other characters more as well. Again another great performance and maybe because I had a better overview I enjoyed the story more too the second time around.

After the curtain call I made my way downstairs and to the side exit where I found that Michele and Rachel were already standing there, right at the exit of the stage door. They sure had made it out quickly. Squirrel joined us not long after. I posted pictures of the second stage door night here. We had the same info from the security guard who told us again that Richard wouldn’t do any selfies, just autographs. We were able to chat with that security guy a bit while waiting for actors to appear, he was really nice. A big guy with a calming demeanor. I had also warned the ladies at dinner to not expect too much interaction, that Richard goes by in a flash. I was not wrong.

Anna Calder-Marshall was the first one out this time around.

20200225_222057

And Richard followed soon after, again making a beeline for the end of the row first and travelling back to the door. Here are some more pictures I hadn’t posted before.

20200225_222353

20200225_222427

20200225_222429

20200226_080433

20200226_080551

20200226_080643

20200226_080743

Rachel and Michele offered Richard a gift bag which he thanked Michele for as he swiftly moved on. He went by so quickly, I don’t think she even noticed him saying thank you! Again I offered a compliment while this time he signed my programme booklet and received a quick smile in return. We were standing next to another long time fan, Jan Black, whom we had started chatting to (I felt a little famous when she said she recognized me from my blog!). Look, Jan, there you are in the corner of the last pic above. 🙂

When Rosalind Eleazar came out I mentioned just having seen her in David Copperfield at the cinema and she grinned and said that that certainly was lighter fare than Uncle Vanya. Luckily she didn’t seem to have recognized me from the evening before and the unfortunate remarks she may or may not have overheard. Speaking of Copperfield: not only Rosalind was in that…

Rosalind Eleazar David Copperfield

… but also Paul Whitehouse, whom I had seen sitting in “Ole & Steen” the day before.

Paul Whietehouse David Copperfield

Anyway, back to the stage door. Here’s another picture Squirrel took of Rachel, Michele and I with the lovely Toby Jones. Just look at his jolly face, I love it. He signed my programme booklet and when I asked him for a picture with all of us, he took his time to pose. Very sweet.

20200225_231741

We also asked the same of Ciaran Hinds and he also very willingly posed with us. Squirrel didn’t want to be in the pictures and was a little nervous about getting the shot. He was so sweet, told her to not worry, he’d wait for her to get it. She also had a little exchange in French with Ciaran, who is fluid in French (we later found out he apparently lives in Paris part of the time and has a French wife). Squirrel took the pictures, we thought, but I didn’t think to check my phone and later back at my brother’s house noticed that something must have malfunctioned, there was no group picture with Ciaran after all. Never mind, I have lovely memories nonetheless and am really chuffed I got to meet my Captain Wentworth! This reminds me that I actually told him that I have enjoyed watching him since Captain Wenworth and he smiled, seemd pleased and said that was quite a while ago.

Ciaran was the very last one out (“my goodness are you all still waiting for me?” he asked) and while we waited for him opposite the stage door, I caught another quick last glimpse of Richard inside. Just a blur in his dark jacket, but an extra glimpse of him nonetheless. We halfheartedly said in the general direction of the stage door “Look back at me!” but alas, that did not happen.

20200226_080833

I left the stage door with a nicely signed programme book and big smiles on my face. The actors really don’t have to do this stage door thing but it is really lovely when they do do it.

UV pogramme signed

The next day my plans for the day fell through so I met up again for lunch with the 3 ladies. We had lovely pie in a pub…

… and walked to Covent Garden. On the way there we saw a shop sign that made us think of Richard Armitage: bearded man with blue eyes and bare-chested…

… and a t-shirt we thought could be fun for him…

20200226_131453

Not long after I made my way back to my brother’s house to collect my things and then on to the airport, where I caught an early evening flight home again.

20200226_184257

I left London with lovely memories of meeting some very nice ladies and with new Richard Armitage, but also Ciaran Hinds and Toby Jones, memories made.

This past week the news came that Uncle Vanya has been nominated for 4 Olivier awards…

… and I have to say I especially agree with the Toby Jones and set design nominations. Fingers crossed! Although, in the acting department I am torn between Toby and James McAvoy as Cyrano de Bergerac.

james_mcavoy_1_credit_marc_brenner.jpg

Either will be a great win.

And now, it’s time to do something else with my afternoon off (compensating for working extra on Wednesday). Tea is finished…

E cup

… and Mr Esther (who has the day off as always on Fridays) and I are picking up our mini me daughter soon from school and heading off to Ikea.