Persuasion adaptations

Jane Austen’s Persuasion is one of my favourite books. It’s a toss up for me whether I like Pride & Prejudice or Persuasion more. In 1995 there was a near perfect Persuasion adaptation made by the BBC, starring Amanda Root as Anne Elliot and Ciaran Hinds as Captain Frederick Wentworth.

I can’t tell you how often I have watched this version of Persuasion, I just love it. I also love how into the ending they also incorporated a little bit of the ending Jane Austen had orginially written before she changed it to the current ending (which is much better and contains that beautiful letter). If you’ve seen this adaptation, it’s the scene near the end where Captain Wentworth comes to speak to Anne in the name of his Admiral Croft and asks painfully whether Anne is indeed to marry her cousin Mr. Elliot. They are interrupted and she can never answer but that little scene is so nicely incorporated into the plot. I could go on about this adaptaion for ages, but I won’t right now.

In 2007 ITV made another adaptation with Sally Hawkins as Anne and Rupert Penry-Jones as Frederick.

While the main actors were lovely, some of the supporting cast was not (most notably the one who played Anne’s sister Mary) and they gave some good quotes out of sequence to other characters (why?). Also, what was up with the mad dash Anne did at the end through Bath? Despite it’s deficiencies I have gone back to this adaptation now and again and I like it well enough.

I even got my hands on a 1971 miniseries of Persuasion starring Ann Firbank as Anne and Bryan Marshall as Frederick.

Ann Firbank, by the way, was also with Richard Armitage in The Crucible.

That Persuasion version I only saw once, it was quite close to the book if I recall correctly but also slow moving and a little too serene. I did like Firbank and Marshall in their roles, though, with the right amount of unease and awkwardness and long silent looks.

There is also a 1960 miniseries, but according to Wikipedia that version is most likely lost. Seeing how popular Emma or Pride and Prejudice are, there haven’t been quite as many Persuasion adaptations but it looks like that is changing.

There is a new Persuasion movie in the making, starring Sarah Snook and Joel Fry. I’ve never heard of Sarah Snook before but I do ‘know’ Joel Fry from his supporting role in the fun movie Yesterday. The actors do look interesting, I hope they’ll be good and that the story/movie will be good as well.

There’s also a Netflix Persuasion movie in the making, starring Dakota Johnson as Anne Elliot. Apparently it’s a modern retelling of the story and just yesterday I read that it will also star Henry Golding as Anne’s cousin Mr. Elliot. Gotta say I could see him in the role of Frederick as well. I really like Henry Golding.

No mention yet on who will play Frederick, so I am very curious to find that out. I’m also feeling a bit iffy about this project. Will it be any good? I’m neutral on Dakota Johnson but not so neutral on modern setting remakes. I’ve seen a few and many are not so great. Most notably, in the recent two or three years, Hallmark has been making some modern setting Austen movies that are loosely based on Jane Austen’s novels (though no Persuasion as yet) and they are all terrible. Sometimes I only recognize the names, the characters just aren’t there and the stories are so bare bone Austen, you could hardly call them Austen either.

Yesterday I watched another modern Austen adaptation made last year, this time a Persuasion one which is not Hallmark, but not far off that mark either. It’s called Modern Persuasion (uninspired title) and nope, that movie really wasn’t it. It tried a little too hard to be witty (although some jokes did make me smile). The story was there, the characters sort of as well but I have no idea why it was necessary to change the names so much. Anne Elliot (played by Alicia Witt) was called Wren Cosgrove and Frederick Wentworth (played by Shane McRae) was called Owen Jasper (really, how is that an improvement?). Witt was alright, even if a little too pouty, but McRae sadly had no Wentworth charisma whatsover, he looked uncomfortable in the role.

I have a feeling that the man who played the Captain Benwick character (actor Dominic Rains), named Sam Benson here, would have made a much better Captain Wentworth or Owen Jasper as he was called here.

I found most of this movie to be awkward, I hope the modern Netflix version that is being filmed will be much better than this.

There are a few good modern adaptations of Austen novels out there. I quite loved the Bollywood meets Hollywood Bride and Prejudice, I loved Bridget Jones’s Diary, I loved the YouTube webseries The Lizzie Bennett Diaries and Clueless is a pretty good modern Emma adaptation. Heck, I even (very surprisingly) enjoyed Pride and Prejudice and Zombies that, despite being a costume drama, is very modern with the zombies added in. I so hope the new Persuasion set in modern times adaptation can fit in with those and won’t be like the Hallmark ones or the Modern Persuasion movie I just saw. The more traditional Persuasion that is being filmed has big shoes to fill and I have slightly higher hopes for that one. In any case, I am quite happy these adaptations are coming and I’m looking forward to seeing them.

Bad fan?

So, the other day the season 4 trailer for Castlevania appeared…

… and I am reminded that I haven’t even watched season 2 and 3 yet! These Dracula stories just aren’t my genre so, despite Richard Armitage’s sexy voicing of Trevor Belmont, I just can’t bring myself to watch this. I will at some point, but when?

Same goes for Space Sweepers, I have yet to see that as well. I liked seeing Richard do this little video message…

… but when will I actually find the motivation to watch the film?

I haven’t watched Arden’s Wake either (and that one’s short!) where Richard Armitage voices another role…

Not to mention all the audiobooks the man does that I don’t listen to. I am really happy for him that he can continue working and can continue honing his craft but I just wish he’d do some projects I actually want to see.

Am I a bad fan? Maybe, but I truly still love the man, I just wish he would do more projects that actually excited me. While I did watch him in Harlen Coben’s The Stranger and I really liked him in that, I didn’t find the story very good (just too many red herrings that got annoying). He is filming Stay Close, another Harlen Coben story, right now (yes, I still follow all he does). He does look quite yummy in it…

… and I will watch that when it comes out but I can’t say I’m really excited for this project either.

He has yet to film Now and Then, which is his first project since Uncle Vanya that has me perking up again. He’ll be in that with Stephen Fry, whom I like, and Geraldine James, whom I like as well and absolutely loved as Marilla in Anne with an E (I am still annoyed that show isn’t being renewed).

This sounds like it could be a properly good drama and I’m thirsting for him to do more of those.

I’m also cautiously optimistic about the The Seville Communion/The Man From Rome project, according to IMDB Richard is still up for that. I’m not really chomping at the bit for him to be doing another detective/mystery/spy story but he’ll be a priest in this one and I am very curious to see how he’ll bring that priest to life (I’m quite partial to some priests). All is and has been quiet about this project, so I really hope this one is still a go and won’t disappear into thin air as some other projects have.

So, see? There are still some Richard projects that can excite me! Nah, I figure I’m not a bad fan, just a bit of an impatient one craving some properly good projects that I can love because I know Richard can be really good in those…

Muted Oscars

As is our yearly tradition, our family friend came over last night to watch the Oscars with me, despite us having seen none of the movies. Well, I saw one, the Borat movie, but it hardly qualified me to pick favorites.

We had a nice dinner, then played Yahtzee with the family and then watched the red carpet arrivals. There’s a nice overview of red carpet looks here at Vogue, in case you’re interested. Lots of plunging necklines and bare skin for the ladies (I was sometimes worrying about possible wardrobe malfunctions) and glitter. My favourite was what the singer H.E.R. wore (never heard of her before), she looked gorgeous; I loved the colour of her outfit and that it was a pantsuit and the scarf on her head, also the long hair cascading down and even the glasses.

Most handsomely dressed man on the red carpet was Riz Ahmed to me (simple, sleek, elegant) and his wife looked quite gorgeous too.

I liked that there was less frenzy on the red carpet…

By the time the awards show started at 2 am our time, Mr Esther and the kids had already gone off to bed and it was just my friend and I who were still up. To keep ourselves awake and invested, I had a printout of the nominees at the ready where I could mark the winners and keep a tally of what movie won how many awards…

… and of course my friend and I gossiped throughout, which is always fun. We stayed awake with coffee (for her) and coca cola and M&Ms and some other snacks and it worked, we didn’t fall asleep.

I’ve heard several news outlets call the ceremony ‘muted’ and I’d have to agree with that. I liked the smaller venue and the tables making it all look a little more intimate…

… but even so, somehow there was a detachment, like no one knew quite how to act or react. It felt like everyone was making sure there was no jumping up and hugging and maybe they weren’t allowed to be too vocal for fear of spreading respiratory droplets as no one was wearing masks? In any case, there was this sense of detachment. There were very few clips, the nominees were just read out without any fanfare, apart maybe from the acting categories, where each actor received a short, cringy speech which only Joaquin Phoenix refused to participate in when he announced Best Actor.

I wasn’t really invested in any of the wins this year as I hadn’t seen the movies but I was quite happy when Emerald Fennell won for Best Original Screenplay, just because I like her and really liked her on Call the Midwife a few years back. I was pleased for Daniel Kaluuya as well for Best Supporting Actor.

His speech, however, did ramble on and I kinda wished he would just stop. He even thanked his parents for having sex at one point which prompted this reaction from his mother…

You can clearly see her mouthing “What’s he going on about?” and I was wondering the same thing.

There was a weirdish music quiz moment which ended with Glenn Close doing a “da butt” move…

I really liked her outfit too, by the way. Speaking of music, I’ve got to say that I didn’t really like any of the nominated songs. It was nice to see H.E.R. win but only because that meant I could admire her in her lovely outfit.

Nomadland ended up winning 3 Oscars, it’s already been on my “I want to watch” list as I quite like Frances McDormand and the director Chloé Zhao (in the middle below) made a good impression on me as well.

My favourite speech of the evening was given by the Best Supporting Actress Winner, the Korean actress Yuh-Jung Youn. She had already disarmed me at the Bafta’s two weeks ago and I really enjoyed her at the Oscars too. She was fangirling over Brad Pitt and Glenn Close, she spoke about how weird it is to be competing for Best Actress when the films are all so different and the jokes about her sons made me laugh. She really makes me want to watch Minari as well.

The evening had a weird last hour. First off, the In Memoriam section was completely rushed, maybe because it was set to the upbeat tempo of Stevie Wonder’s I’ll Be Loving You Always. Some images lingered, while others just flew by. In honesty, I, with my limited skills, could probably make a better fan video than that… What was also weird was that the Best Picture Oscar came not at the end but before the Best Actress and Actor Oscars, that felt strange.

Last, but not least, the ending of the show was really abrupt. Apparently everyone had expected Chadwick Boseman to win Best Actor posthumously but in the end Anthony Hopkins won (again, I had no preference and was pleased for Hopkins, as I would have been for any of the others). Hopkins wasn’t there and there was no one to accept the award for him and so after the announcement of his win the show abruptly just ended. Totally weird. My friend and I just looked at each other in a “what was that?” kind of way. So, we switched off the TV at around 5.20 am and 10 minutes later we were snoozing in our beds.

There was a reaction from Anthony Hopkins this morning, which was quite endearing…

Overall, I was left feeling that I liked that this show had been more intimate, diverse and a little less flashy but it also missed some enthusiasm and it all felt a little strange. Quite fitting, maybe, as we do live in very strange times now.

Tom Power

I’m over the worst of the recent Yannick Bisson preoccupation spell but I did come across an interview for Canadian radio with him the other night from a few years ago that I quite enjoyed. You don’t have to watch the whole thing, it’s 15 minutes, but I’m posting it here to just give an idea.

The questions were not always original questions but what I liked about this interview was that the interviewer, Tom Power, really seemed to listen and then consequently would pose follow up questions because of what he heard. He seems genuinely interested in the person he’s interviewing and seems to try and dig deeper in what makes the person opposite him tick. His questions seem to resonate with those he interviews too as they all become thoughtful when giving their answers. I’d like to see him interview Richard Armitage sometime.

Tom Power is a Canadian musician and he interviews a lot of musicians but also actors. I’ve recently been listening to a few other interviews he’s done and so far they are worth a listen, even if you don’t know much about that person or actor – or maybe especially if you don’t know that much about them. I watched another one with Natalie Portman (whom I also don’t know well) that I liked and that led me to a video that was mentioned of an intense and funny rap she did on Saturday Night Live that goes against her image. I really like some well-done sarcasm.

Anyway, I’ve only seen 3 or 4 interviews, but there are many more up on YouTube (mostly musicians but also actors, directors and even with author Margaret Atwood, which I haven’t seen yet). Link to a playlist of interviews here in case this has also whetted your appetite (there are a lot). I do plan on watching some more of them, it’s a nice change to the normal soundbite interviews on late night talkshows.

Meanwhile, let me leave you with two gifs from that SNL video…

I can relate.

The not complaining post

Just a short but sweet post today, not in the mood anymore for the complaining I was going to do about tendentious (e.g. about the British royal family) and/or navel-gazing (e.g. Dutch news) journalism or hating doing chores around the house (I swear, if I win the lottery, I will invest in a housekeeper) or the zero motivation I have for my job. Instead, I decided to finish another Suits video yesterday evening and today that I started weeks ago but then left alone for a while. I set the video to Pearl Jam’s Just Breathe, just because I like the song so much and images of Harvey (Gabriel Macht) and Donna (Sarah Rafferty) popped up in my head when I listened to it again about a month ago when I was finishing my favourite Suits scenes re-watch. This is the end result which I think is not my best, nor my worst..

This afternoon, Mr Esther and I went on a little bike ride. It’s chilly but the sun was shining, so it was nice to be out like that.

Sunday evening now and I hate that the weekend is almost over. Picking up my son from a friend’s house in 30 minutes, then time for a relaxing hot shower and a feelgood movie to counteract the I-don’t-want-to-work-tomorrow blues…